This Day In History: 04/09
Authors of Yesteryear, Part II of VI
In the seventies and eighties, John Bellairs wrote fifteen books with a mix of supernatural, science-fiction, religious, and treasure-hunting elements. He effectively did the Harry Potter schtick years before it became mass-marketed. Bellair's books were divided into three series by main characters, his protagonists being Lewis Barnavelt, Anthony Monday, and Johnny Dixon. Although his emotions were poorly written, they were good enough for young readers, and the sharp dialogue and genuine suspense more than made up for it.
Bellair's first book, The House with a Clock in its Walls was a receipient of the Newberry Award, and the chapter about being pursued by the twin white discs which were the eyes of a dead witch was the first truly scary writing I'd read as a kid. All of his books were fairly formulaic, but had a very deep attention for details, both on the Catholic faith and the supernatural. Despite his knack for ghouls though, I think my favourite book was Treasure of Alpheus Winterborn, a tale of a treasure hunt in the public library building with no hint of the supernatural. On the third point of the writing triangle was Trolley to Yesterday, which was really something of a historical fiction set in the seige of Constantinople (and just happened to include time travel and Egyptian gods!)
Sadly, John Bellairs passed away in 1991, but several more of his sketches were turned into complete stories by Brad Strickland in the nineties. For more information on John Bellairs, or to take a trip down memory lane, visit The Compleat Bellairs .
Tomorrow: Lloyd Alexander
I finished updating all the scores and MIDI files from the pep band collection I did a few years back. The book contained a few legally arranged works that have become standard high school pep band charts, and then a smattering of original works in the same styles of popular charts (to get around arranging fees). It wasn't particularly intellectual, but it was fun and challenging to write in so many different styles. Here's an MP3 of the Latin Rock example, Giblets (MP3, 498KB), and the Gospel Rock example, Easygoer (MP3, 964KB). The main restrictions I worked within were that the piece had to be under a minute, and playable by a reduced marching band set. The titles are all nonsense, fairly evenly spread across the entire alphabet to facilitate memorization and quick indexing. More MIDI files from this collection can be found on the Music page.
Girl attacks flasher with his own zipper
Cat attack now described as 'hate crime'
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I've been hard at work on the MFIT project since last night and it's essentially complete now -- I just need to clean up some code and add some documentation. I'll post more about it tomorrow when it's a complete package.
Booty has lived in my apartment for one full month now. In sixteen days, she'll be six months old, so we can take her out drinking and such. You can see how much she's grown in the new photos on the Photos page.
I read a funny article about the state of Alias yesterday, complete with a diagram outlining all the characters before and after the post-Super-Bowl plot simplification. You can read the entire article here . The next new episode isn't until April 27th, so you're safe from my nagging about watching for the next two and a half weeks.
Composers earn big bucks after death
We have a new game with the cats where we drop something into the stairwell and they catch it. Here is a movie showing these complex rules in action:
Stair Game (2.8MB WMV)This weekend, I'll be doing more house stuff as is par for the course. I've unpacked everything to the right room, so now it's a matter of organizing the rooms themselves. I'll do another video walkthrough when everything is pristine, probably in a few weeks.
Yesterday's notable search terms:
appreciating the symphonic structure, pimp force, facts about how many countries could fit inside walt disney
If you missed the big blinking baby bulletin I posted over the weekend, Ben and Anna's new football now has her own website at baby.urizone.net. This is a brand new site that I painstakingly created from scratch on Friday night, and any resemblance to totally unrelated sites like their 2005 wedding site is completely coincidental and not trademark infringing.
At the current rate of inflation, college tuition costs in the year 2025 are expected to be approximately $25,000 (per semester, in-state). To help defray these costs, Eleanor Grace Ahlbin has already started to appear as the spokesbaby for many household products and services.
If you have any other endorsements that might benefit from the unique, subtle charms of an Ahlbin-baby, please contact Eleanor's agent directly.
The reptilian brain lives onor "how I stumbled upon the URI! Zone"
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Today is Jack Wilmer's last day at FGM: like a weather balloon in the troposphere, he is upwardly mobile, moving from being my boss' boss at FGM to being some sort of technical director at DISA. Since his last game of Pictionary involved the phrase, "Was that a baby? I thought it was a pumpkin," we will hope that his new position involves a minimum of blindfolded drawing.
The going away lunch is at M&S Grill, so I'm going to attend and hope the company foots the bill.
In other news, DDMSence v1.1.0 is now available.
Neighbour still in hot water for loud sex
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I have now worked 99 of the 100 days in 2012. The outlier was Farm Day. We should be wrapping up this week, after which I can reclaim my life-work balance for the rest of the year!
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For your musical enrichment, here is an aleatoric piece my Mom wrote in music school 42 years ago. It was A material.
Carol Burgtorf
T315
Assignment due May 4, 1971
Title: TACTUS 1 (GHOSTS)
Necessary Personnel: One human being whose pulse will be continually monitored by another, the conductor, who will simultaneously beat time at the heartbeat rate; three pianists who all sit at one piano; a four-part mixed chorus.
The piece will begin: when the conductor can establish a clear pulse rate for a tempo.
Event | Approximate number of heartbeats (may be determined by conductor) | Text and/or music levels (text in italics) | Directions for Performance (conductor will indicate when each event begins and ends) |
---|---|---|---|
I. | 10 | high and low pitches | Pianists will hold loud pedal down and shout or sing into piano strings often enough to sustain echo. |
II. | 6 4 |
supernatural noises loud soft |
Sopranos will decide upon and make appropriate groans, screams, etc. |
III. | 40 | supernatural noises continue softly. "Amidst the mists and coldest frosts" low and sepulchrally |
Basses repeat text over and over at one heartbeat per syllable and on one note. Each bass to determine his own pitch and entrance time. |
IV. | 6 | V-I-V-I-etc., chord seequence in one major key, softly | Pianists choose key, making chords as full as possible with their 30 fingers, changing chords only on a beat (duration of each chord not limited) |
30 | "with stoutest wrists" "and loudest boasts" |
Tenors declaim either text phrase heroically, in any rhythm. Pianists continue chord sequence throughout this. | |
V. | 6 | tone clusters in deep piano register | Pianists stop V-I chords and begin playing clusters in tempo, continuing while altos sing. |
4 | "He thrusts" not too high a note | One alto sings phrase once on one note, sustaining the tone until end of this section. | |
4 | "his fists" one step higher than first phrase note | Second alto on this phrase, in the same manner as first alto. | |
4 | "against" one step higher than second phrase note | Third alto on this phrase, same as above. | |
4 | "The posts" one step higher than third phrase note | Fourth alto on this phrase, same as above. | |
4 | Now all four altos are singing together. Pianists stop. | ||
VI. | Now the person whose heartbeat is being monitored will begin to increase his heartbeat rapidly by running in place, breathing into a paper bag, or any other arduous method. During this time: | ||
- | "And still insists" relatively high | Soprano soloist sings phrase three times, slowly and on any anguished melody. | |
moaning | Everyone beings to moan very softly while soprano is singing, then falls silent. | ||
- | "He sees..." | Soprano sings phrase once, suspensefully. | |
VII. | Person stops exercising and, ona signal from conductor, the entire chorus screams the long-drawn-out words: "The gho-o-o-o-sts!" going from high pitch down to low one. | ||
VIII. | Conductor determines new rapid pulse and, with this as a new ever decreasing tempo (i.e. as heartbeat returns to normal) | ||
40 | "and still insists he sees the ghosts" whisper | Chorus repeats phrase over and over in unison and at the decreasing tempo, two syllables per heartbeat. Chorus members begin to leave stage when they get tired of repeating above phrase. | |
IX. | Conductor leaves stage, leading his pulse-maker by the hand unless he doesn't want to go. Pianists may either leave or begin a three-handed jam session at the piano. | ||
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Twenty years ago today, on April 9, 1994, I was the sophomore coxswain for the Men's 3rd 8 on the crew team. The 3rd 8 rowers were not good enough to be in one of the first 16 slots. However, our crew team was so big that we also had a 4th 8 and a 5th 8, so we were spared the ignominy of being the worst boat. Only in Alexandria could you put together a crew team with 40 guys on it.
After waking up at 5:30 AM, my parents dropped me off at the high school before departing with my sister for the day to visit UVa (where my sister would be attending in the Fall). The team piled into school buses and went down to the Occoquan Reservoir, where we screwed the riggings onto our boat and went for a run. At 10:15, we finally headed out on the water for our race.
High from our second place win (which was about two places higher than we normally did), we were greeted at the docks by the Women's 3rd 8 in unitards. After derigging the boat, the rowers walked out to the finish line to watch other races, while I did my antisocial thing of getting back on the bus and programming calculator games. Although the races were over by 2, we didn't leave for another hour because the bus driver had decided to walk off for a smoke and no one could find her.
I made it home before my parents, but learned that the hidden spare key no longer worked on the door, so I had to wait out on the back porch for a couple more hours until they returned from Charlottesville. For dinner, we ate lamb and rice which, according to my journal, "tasted mildly okay".
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I received my early edition of the Echo, Amazon's voice-activated assistant, in the mail yesterday. I had signed up for an invitation several months ago, and purchased it on a whim in February for the following reasons:
Setup of the Echo is painless, and even more streamlined than setting up a Fitbit. You must have WiFi available and Amazon assumes you'll have a smartphone for its (optional) Echo app, but thankfully there's a web-browser version for desktop dinosaurs like myself.
After 5 minutes of setup and voice training, the Echo sits there unassumingly waiting for a command. This is the point where you'll try all of the voice commands listed on the cheat sheet for lack of better ideas (like "Tell me a joke" or "Set a timer for 1 minute"). Voice recognition is impressive (less so when there's enough erratic ambient noise, like Rebecca clearing the dinner dishes) and works even ten feet away without any need to raise your voice. The integration of information lookup (like "How many ounces in a cup?" or "Wikipedia: Abraham Lincoln") is well-done although nothing that Siri hasn't done before.
Over the course of the night, the Echo batted about 0.7 for correctly understanding what we were saying and then responding in the correct context (you can see a history of your commands in the app and provide feedback about accuracy):
The Echo is much better at being a voice-activated music player, with direct access and control over your Pandora stations, Amazon Cloud stations, and free Amazon Prime Music. You can pick from your existing stations, create new ones, browse your music, or just ask the Echo to search for any artists or genres it knows about in Prime Music. I appreciated the sound quality from the Echo's hefty speaker, which wasn't as good as patching my laptop through an HDMI receiver, but was much better (and more convenient) than the over-treble associated with playing from a laptop alone. The Echo also has access to tons of radio stations and podcasts, and correctly streamed WAMU after I said "Play NPR". One downside to Pandora integration is that you can't skip the ads -- on my computers, I haven't heard an ad in years thanks to AdBlock.
It should also be noted that voice input is sent INTO THE CLOUD for command processing. Although you have to use a predefined wake word to activate the microphone (hopefully you don't have family members named Alexa or Amazon) and the device lights up when it's listening, there will always be a slight ick factor about knowing that your "bidness" is out in the world, and a potential for hacking or abuse down the road. This doesn't really bother me, as my fourteen years of daily blogging have already eliminated any possibility that I could run for public office without the added scandalous knowledge that Booty and I have long conversations about cat stuff. However, you should be aware of privacy concerns before you buy.
First Impression: A promising piece of tech, mostly for its musical potential. I'm still on the fence about whether it will remain impressive after the novelty has worn off.
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Maia enjoys the plane ride (90 minutes) north.
Introduction to Chickens: A Survey Course
Fresh eggs!
Pretty sure this travel crib is haunted.
A cold walk along Calf Pasture Beach.
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There are no major spoilers in these reviews.
OK Orchestra by AJR:
AJR's latest release is pretty solid -- well-sampled beats with introspective lyrics about peoples' awkward younger years. BANG! is a good example.
Final Grade: B+
Utopia, Season One (UK):
We started this dark conspiracy show (the UK version not the more violent US remake) amidst a dearth of other TV options. It's fine when nothing else is on but not spectacular. Lots of exposition dumps slow down the pace and the characters aren't particularly interesting in their own right. We've been stalled on Episode 4 of 6 for weeks now and haven't had much incentive to pick it back up.
Final Grade: Not Rated
The Attractions of Youth by Barns Courtney:
I first heard of Barns Courtney through Glitter and Gold. This album is full of similar, catchy tunes.
Final Grade: B+
On to Something by Von Smith:
I picked up this solo album based on Von Smith's collaborations with Postmodern Jukebox. There are a lot of cool ideas in these songs yet none of them really "radio-ready" pop songs. Changing tempos and contrasting styles (within the same song) abound. Carnival of Life is a good example.
Final Grade: B
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